Four series, one family

Saturated colour pushed to the edge of gesture — the founding series, where fields of pigment meet without hierarchy or outline.

The colour of the parent series, now given structure — faceted planes radiating from an axis, stitched by gold, often as a diptych.

Deep monochrome gradients — green, blue, teal, amber. Meditative, near-gestureless surfaces that shift with the room's light.

Dense palette-knife relief, vitrified in black, white and grey — painting turned topography, revealed by raking light.